Showing posts with label Electronic. Show all posts
Showing posts with label Electronic. Show all posts

Friday, May 20, 2011

Last Chance to Reason - Level 2 (2011)


Get it while it's hot, folks. The first real gem of 2011.

I tend to post these blurbs in a hurry, and for no real reason. I feel rushed, though I'm only answering to myself and keeping to an extremely loose "schedule" that only I, myself, have made, and that's never been indelibly engrained into or on to anything, anywhere, ever. Once I start writing one of these things, my brain kickstarts an invisible timer, and if I haven't vaguely gotten what I want to say about a specific band or album into a word document by the time that timer hits its double-zeros... well, I suppose that's when that "very specific danger" that the OCD-laden hold themselves as submissives to appears in my itinerary, threatening to ruin my sunny day.

That's not happening this time.

No, I really want to say a lot of things about this album, but even if I don't, I want to leave you with a sense of what I feel it is. Level 2 isn't just a slab of metal--it's something that each of us experiences, time and time again, during our most translucent moments: a very resolute... something. I can't quite put my finger on it, but it's undoubtedly some not-quite-lucid-or-tangible sense of power. As an example: I tend to grin like an asshole whenever I feel absolutely confident, no matter who's around me; and I grin that very same grin whenever I spin this album. The way it opens, the way it climaxes, and the way it ends are all just so analagous to the human condition in its most triumphant crises. If you're wondering what that means, spin this one on an extra-hardy cardio workout or during your very own cop-chase--you may, then, have an idea.


Thursday, April 22, 2010

Periphery - Periphery (2010)



4/22 - I just got the deluxe double-disc edition of this album in my mailbox and in my hurry to upload both of its versions (mostly for close friends, for now) I've neglected to write a proper blurb for it. Rest assured patrons: I'll remedy my negligence as soon as finals week is over.

Note: Got the idea to "invert" the cover art because the instrumental disc has the inverted colors on it. Unfortunately, this was after I uploaded the album. If you want in on my INGENIOUSNESS, this link may help you.

(Removed. Sorry guys.)

Saturday, February 20, 2010

Venetian Snares - Hospitality & Cavalcade of Glee[...] (2006)



Aaron Funk, the man behind Venetian Snares, has dozens upon dozens of releases, but his 2006 run (Hospitality and Cavalcade of Glee and Dadaist Happy Hardcore Pom Poms, minus 4 Adaptions of Rossz) is my favorite because of its emphasis on melody as well as those elusive rhythms that most drum and bass artists are known for. These two albums are the aural representations of floating on digital air while being attacked by someone's idea of what vultures from Tron would look like. They're intense, with moments of the most serene calm juxtaposed inbetween, or, uh, vice versa.

Note: I found some higher-res album art for Hospitality (the picture in this post) after uploading the album, so if you're compulsive, just click here to grab this one.

2006 - Hospitality @320
2006 - Cavalacade of Glee and Dadaist Happy Hardcore Pom Poms @V2